Saturday, 16 March 2013

Jean-Michel Basquiat

Jean Michel Basquiat, an artist that became famous by the age of twenty-three. Born in Brooklyn, New York with parents from Caribbean and Spanish backgrounds. You could say that his accident that caused some internal injuries helped influence his art as his mom gave him the book, 'Gray's Anatomy' to help pass his healing time.
Around the year 1979, he starts exploring more into the arts and selling his work.
He had a successful career as an artist having had his work displayed in museum exhibitions.
He died in the year 1988, buried in Brooklyn.

And some of this information is from: Street to Studio: The Art of Jean-Michel Basquiat, presented by JPMorganChase. 2013. Street to Studio: The Art of Jean-Michel Basquiat, presented by JPMorganChase. [ONLINE] Available at:http://www.brooklynmuseum.org/exhibitions/basquiat/street-to-studio/english/whobasquiat.php. [Accessed 16 March 2013]

Jean-Michel Basquiat. 2013. Jean-Michel Basquiat. [ONLINE] Available at:http://www.basquiat.com/index-new.htm. [Accessed 16 March 2013]

Arroz Con Pollo, acrylic and oil paintstick on canvasJean-Michel Basquiat. 2013. Jean-Michel Basquiat. [ONLINE] Available at:http://www.basquiat.com/index-new.htm. [Accessed 16 March 2013]
I would say his work is very influenced by the experienced his faced in life and the society around him. His work is different from traditional graffiti street art done by examples such as Lee Quinones or Blade.

Lee Quinones, Graffiti Artist

Image of one of Lee's work

Lee Quinones, a graffiti writer became very well known through his works done on trains and handball courts. He later on began being commissioned to paint murals and pieces. He is well known in the contemporary art industry and the most known artist to come from New York subway art. At a young age, he joined the Fabulous Five, a crew of highly talented graffiti writers.
I would say his work definitely had the Wildstyle graffiti type and his work consisted of pieces and throw-ups.

''Basically my life story is painted here. The lion is the protector. I've seen a lot deteriorate around me through the years-the bottom of the painting shows that-yet I've been able to move up. Most people don't get a chance to express themselves-it's like an adventure for me.''  Lee, pg 14, Henry Chalfant, 1987. Spraycan Art (Street Graphics / Street Art). First Edition Edition. Thames & Hudson

''A true art movement never goes by the script, instead it flips the script, faithfully reinventing itself.'' Lee, 2013. Lee Quinones. [ONLINE] Available at:http://www.leequinones.com/index.php?page=about. [Accessed 16 March 2013].


History of Graffiti


''The history of graffiti or drawings on objects is to have begun since cave and rock paintings/engravings emerged. This can be dated back to 40,000 to 10,000 BC times, which is known as the Upper Palaeolithic period. The paintings/engravings, discovered to be done by the ‘Magdalenian’, the name of the location site.
The Chauvet Cave situated in the Ardeche region of southern France, is a well-known famous prehistoric rock art site that was discovered in 1994. The most common method used to produce engravings was using flint and etching a drawing onto the rock. These engravings/paintings were a form of visual documentation that could have been done as part of rituals or a way of passing on information to other people that might have crossed through their area and drawings of animals was what was mainly seen. The main fact is that these engravings/paintings were placed in a position where it was available for everyone to see. These paintings/carvings is the way the people of that time would portray their events of the days or months.
As time progressed, the Egyptians used similar methods of telling their stories and lives, this was present around 5000 BCE to 300 AD.
The earliest Egyptian art is found to be located in the Nile Valley around the Upper Egypt region. This art was engraved on the cliffs depicting the actions they engaged in with, this was done in the Palaeolithic period. The Pre-dynastic period, which is what it is called, saw these engravings being placed on pottery vessels or small stones.
These paintings and engravings from the Palaeolithic and Egyptian time were possible because these people used the public spaces or surfaces that were available to them to express on and document stories that they wanted to tell.
This act of communicating through use of a public space continued into the time when Hip Hop started to emerge. I shall be focusing more on the type of graffiti produced in the Hip Hop era to modern graffiti seen today.
From the year 1966 onwards, graffiti was done by political activists that wanted to make statements to the government and other gangs around their area did graffiti. It was present in cities like New York, Los Angeles and Philadelphia. A name that was commonly seen around areas in Philadelphia was the writer, Cornbread. They would leave their names next to their work to get people to publicize up about them. As being a writer became more popular, people began to see more tags and graffiti around their areas. Mainly focused in the area of Brooklyn, writers would use the subway system as a way of getting their messages across because the train would travel the city so this way it would reach a number of places and people. A well known writer around that time in Brooklyn was ‘Friendly Freddie’, his work would be seen on the subway system and this helped increase his popularity. There was competition between writers to try to outdo each other and have more tags. This became a popular activity in Brooklyn area. The form of graffiti done with the use of spray cans could be called traditional art, because it came from different communities from different cities practising similar methods of graffiti on walls and trains. Graffiti to the communities that were of a higher class than these writers did not see it as art; they saw it as vandalism and illegal work. Bando, a graffiti artist stated ‘’I have a saying from very long ago. Graffiti is not vandalism, but a very beautiful crime.’’ 

This is small context from my essay that briefly tells the story of graffiti. I shall now be looking at graffiti artists such as Lee Quinones.

Digital Artefact Research


I am basing the topic of my digital artefact project on ''Graffiti''. This is the same topic as my 3000 word essay for context of practice. I have already researched the history of graffiti from the cave paintings to the graffiti created in the hip hop culture. I would say my interests definitely lie with the graffiti in the hip hop culture, I find the political and artistic qualities are influencing me more.
I shall post a few paragraphs from my essay about history of graffiti and about some artists that have seen fame from the hip hop culture through this culture.



Sunday, 3 March 2013

The Mask (1994)

http://jbfilmreviews.wordpress.com/2011/05/22/the-mask-1994-½/


The Mask which I felt was a really interesting film when released in 1994 helped produce exaggerated animation actions that were mainly only seen on cartoons such as Road Runner.

The image above gives a good example of where CGI would be used in the film and it worked nicely based on the character's traits.

Though with the use of CGI, the directors could create a surrealistic effect that allowed Jim Carrey's face to be stretched digitally and still look good.
They also used CGI to create superhuman abilities that the Mask gave to the character such as flexibility and speed. The comedic tone of the film helped make these effects work without being unappealing.

Tron (1982) (CGI)

http://screamer.alt-world.com/?p=4420


Tron (1982) movie was created with CGI effects to produce some of the special effects needed to bring the game and movie to life. During that time, with the help of CGI being used in the science world, they discovered that models could be built and simulated to carry out certain actions.

The idea that the characters in Tron were based in a fictional dimension in most of the movie helped the artists creating the world to be not limited to making the scene look realistic.
This film was produced in a time where technology had not advanced and creating these animation sequences would take days to render and need huge computers to complete the task.
Steven Lisberger was the director and animator of this film.

Corpse Bride (Puppet Animation)

http://www.youtube.com/watch?v=qaMcImrNnOQ


This is an example of 'Puppet Animation', where most of the time the characters are animated using the method of stop-motion.
The puppets are animated generally in a constrained environment and animated to interact with each other. To aid their movement, their body structure can be made to have an armature which allows them to mimic humanlike movements.

This method would be tedious but could create really precise smooth motions. To reduce the time it would take to keep changing the puppets when their facial expressions changed, in the Corpse Bride, mechanical faces were used. This allowed them to change the expressions any time without creating a whole new puppet.

Below is an article explaining in a vast amount of information about the processes used to create this animation: http://www.awn.com/articles/production/icorpse-bridei-stop-motion-goes-digital/page/2%2C1

Magic Roundabout- Zebedee (character)

http://www.youtube.com/watch?v=Eeb4N9V74ZI

The character in the image above is from the french cartoon 'Magic Roundabout' and is known as Zebedee. The animation is created using the technique of stop-motion.
I am posting about this character because watching some episodes where its featured has helped my consider how I want my character to move in my animation. Zebedee has a spring as his leg and his springs around to move.
I considered this for my character's movement also because it had three springs so in terms of the time constraint I had for my project, animating a spring effect would not be time-consuming.

Friday, 1 March 2013

Choosing audio for my animation


When it came to finding audio tracks that suited my animation this was a very tedious task as I had a faint idea of what type of sound I wanted it to be like. I wanted something along the lines of upbeat but soft. I looked through this website mainly: http://freeplaymusic.com/ , which had so many options to choose from and I did look through many audio files. Luckily the sites groups the different audio files in categories to help narrow your search. This did help in the end when I knew what type of sound I wanted which was along the lines of childlike and playful.
I used the software 'Soundtrack Pro'  to edit the sound as this software can also allow you to mix tracks with a simple user interface format. Then I exported the track back into 'Final Cut Pro' and exported the audio with the video file in one.

Overall I'm happy with the sound.




Tracks I used:


 No. 9 from the 'Orchestral Vol 3'


No. 1 from 'Fairytales Vol 1'

No. 1 from 'Circus Fun Vol 2'

And from the software library of 'Soundtrack Pro' I used the sound file 'Crash Wood 03'

Animating the falling blocks sequence


The link below directs you to my explanation video about my thought process of animating the blocks in my animation.

The explanation is all in the video so I do not need to write it out again.